Mansfield Park by Jane Austen

Mansfield-ParkThe review contains a synopsis with some spoilers.

Jane Austen’s third novel deviates from the first two books quite dramatically, not only in the nature of her heroine, but also in her domestic position.

The novel deals principally with the progeny of three sisters. Mrs. Bertram has married into wealth and position. As the wife of Sir Thomas Bertram, she is mistress of Mansfield Park, a large country estate in Northamptonshire. They have four children, Tom, Edmund, Maria, and Julia. Her sister, Mrs. Norris, marries into the clergy and her husband is resident in the Mansfield parsonage.

They have no children. The third sister, Mrs. Price, marries into the lower middle class and lives on the verge of poverty in Portsmouth with her husband, a former navy man. She has nine living children (and one deceased), the chief of which are William, the eldest, Fanny, the next eldest, and a younger sister, Susan.

As the novel opens, Mrs. Norris has conferred with the Bertrams about bringing one of their sister’s children from Portsmouth to live with them and it is decided that the eldest girl, Fanny, should be the one. She arrives as a slight, uneducated girl of ten, and is installed in an attic bedroom. From the very beginning, she is told that she is always to be inferior to Mrs. Bertam’s four children and Mrs. Norris takes great pains to make sure that she never forgets it. Although she becomes dedicated to helping the sickly Mrs. Bertram, she lives in fear of Sir Thomas, who seems very great to her indeed. Among the other children, only Edmund befriends her. He becomes her advocate and remains so throughout the novel.

The children grow up through their teen years and a pecking order is established. Tom, as the eldest son, is destined to inherit Mansfield Park and he lives his life in carefree abandon, gambling, traveling to London, and acquiring debts. Edmund is the more level-headed of the two, but he is destined to become a clergyman. The two Bertram girls grow up as privileged belles, and Fanny continues timid, shy, and very serious. Through Edmund’s efforts, she has been very well-educated, is a devout reader, and is constantly at needlework, but she never develops the habits of wealthy young ladies, such music or drawing.

Facing problems with his West Indies company, Sir Thomas sails to Antigua to set everything right. Maria eventually manages to secure a proposal of marriage from a local lordling, Mr. Rushworth, with assistance from Mrs. Norris. When Mr. Norris dies, Mrs. Norris moves into a smaller house. She is still present at Mansfield Park every day, organizing the household and the children, but the parsonage is now occupied by Dr. and Mrs. Grant. When family problems force Mrs. Grant’s half brother and sister, Henry and Mary Crawford, into an extended visit at the parsonage, the two young urbanites become good friends with the Bertram children.

Against Edmund’s advice and Fanny’s strong disapproval, the young people decide to do a play for their own amusement. During the course of rehearsals, a lot of flirtation goes on. Henry Crawford is charming both Bertram girls, in spite of Maria’s engagement, while Mary Crawford takes a liking to Edmund. To create the theater, they appropriate Sir Thomas’ office and billiard room, but their plans go awry when Sir Thomas returns unexpectedly and puts an end to it. Maria marries Mr. Rushworth and they take Julia with them away to Brighton.

From that point on, everything goes downhill. Although Fanny very much disapproves of the Crawfords for a variety of moral and ethical reasons, Henry begins to court her, while Mary attempts to become her best friend. Fanny is astounded when Henry proposes to her. She goes into full retreat as she is pestered by everyone to agree to the marriage. She stoutly refuses and is eventually sent back to Portsmouth for two months so that she can see what her life would have been like without Mansfield Park to give her gentility. It is quite a shock to her, but she maintains her belief regarding the Crawfords and is eventually proved right.

Fanny Price is one of deepest and most well-constructed characters in all literature. Although she is timid to a fault, she learns everything that Mansfield Park can teach her and it all becomes a rock-solid part of her character. Once she has been molded, she becomes inalterable in her essence. Having seen first-hand what the Crawfords are, she does not deviate in her opinion of them, even when all around her would be duped. Even Edmund, steady as he is, becomes drawn to Mary Crawford, and Fanny grieves for him and wishes him to see the truth. When Sir Thomas approaches her with Henry Crawford’s proposal, she refuses to give in and stands up to him. Her personal feelings are always kept inside and she leaves others to discover truth for themselves. The few times during the novel when she becomes overwhelmed with events and breaks down, it seems truly catastrophic and creates deeply moving passages of writing.

In many ways, Mansfield Park is superior to Pride and Prejudice, which is her acknowledged masterpiece. The biggest downfall to the novel is the conclusion, which Ms. Austen writes first person, author to reader, summarizing how everything falls out, rather than creating scenes which depict this action. Otherwise, it is first rate all the way.

Starters by Lissa Price

Starters cover with borderThis is a good Young Adult Dystopian Science Fiction novel that could have been much better. The premise isn’t really good, but it doesn’t completely suck, either. At some time in the near future, friction between the United States and Pacific Rim countries reaches such a level that the PR countries develop a bomb that kills everyone between about 20 and 60.  The young survivors are called Starters and the older people are called Enders.  Unless children come from a wealthy family where grandparents can take care of them, they are pretty much left to survive on the streets.  Such is the case of teenager Callie, who tries to take care of a sick younger brother as they squat wherever they can.

There is one way out of this dilemma and that is to go to a Body Bank, an institution run by Enders that allows other Enders to rent a young body for 30 days.  A device in implanted in the young person’s brain to receive signals from the older person’s brain so that they can walk around in the body. It gives these rich old people a chance to experience youth all over again, while it gives the young people the money necessary to get off the street.

Callie rents her body to Bank, but suddenly wakes up as herself, with her renter as a voice in her head.  The renter lets her know that there is something seriously wrong with the Body Bank and that the owner is trying to change the laws to favor the Bank by using a Senator.  Her goal had been to assassinate the senator and expose the Bank.  Although Callie fights against this initially, she becomes friends with the Senator’s grandson and discovers that the Body Bank has plans to not just rent young bodies any more, but to sell them without the Starter’s permission.

Although the story is okay, it becomes a bit predictable after a while.  The book probably should have been in development with an editor for considerably longer.  Although told in First Person, it is told in Past Tense and could have benefited from going to Present Tense, as all of the other successful YA Dystopian novels have done.

It’s entertaining, a quick read, and has spawned a sequel called Enders.

Little Women by Luisa May Alcott

Little Women Norton Critical EditionThis review contains spoilers.

I read this classic American novel, first published in 1868, in the Norton Critical Edition, edited by Anne K. Phillips and Gregory Eiselein.  In addition to the original text, published with very few corrections, the volume also contains a timeline, excerpts from Alcott’s journal, copies of letters with her first publisher, excerpts from texts cited in the manuscript (such as Bunyan’s Pilgrim’s Progress) and other writings by Alcott that relate to the book, including some of the juvenile plays that the Alcott sisters performed.

The original version, it should be noted, underwent significant revision in 1880 to “modernize” the text, so this original version is much closer to what Alcott intended when she wrote the book.

The story concerns the four March sisters, Meg, Jo, Beth, and Amy, their family, including their mother (Marmee), father, Aunt March, their neighbors, Mr. Laurence and his grandson, Teddy (Laurie), as well as various men involved in their lives, but the book is concentrated in the person of Jo, the second daughter, who is fifteen when the novel opens.

Their father has just gone off to Union Army to serve as a pastor in the Civil War after a reversal of fortune has left them in some degree of poverty.  Living in a small town just outside of Boston, the girls still give time to the local poor, help keep house, and perform various plays that Jo writes.  They have their own little “Pickwick Club” that published a small paper that they all contribute to and they play the parts of men from the Dickens classic.

Noticing that the neighbor boy must spend much time alone toiling with his tutor, John Brooke, Jo decides to make friends with him.  Laurie becomes friends with all four girls and they induct him as a member in the Pickwick Club.  As time passes, their father returns home, Meg and John Brooke become a couple and eventually marry, and Laurie goes off to college.  Upon his return, he proposes to Jo, but she tells him that she only likes him as a friend.  Aunt March takes Amy off with her to Europe and also goes there to get over his rejection.  Jo moves to New York City and begins her life as a writer, meeting Professor Bhaer, a German man looking over his two nephews in the boarding house where Jo serves as governess.  Writing sensational stories for the newspaper, Jo finds herself upbraided by the Professor for writing vulgar tales and gives up writing altogether.  At home, the always weak Beth, due to an earlier bout with scarlet fever, falls very ill and Jo returns to nurse her.

In Europe, Laurie courts the now womanly Beth and wins her heart.  When Beth dies and Aunt March decides to stay in Europe, Laurie weds Beth so that they return to the family, but Beth dies before they can make it back.  Aunt March also eventually dies, leaving her estate to Jo who married Bhaer and starts a school for boys in the old house, eventually having two boys of her own.  Laurie and Amy have a girl, whom they name Beth, after the deceased sister.

Although there are a number of issues with the book, there are parts of it that still remain among some of the best written American prose ever.

There are a number of issues, especially to a modern reader.  The purpose of the novel was to serve as an instruction guide to adolescent girls in how to live their lives, so it carries a heavy moral burden.  Girls must not only love and support their parents wholeheartedly, but they must have a regular devotion to the Christian god.  Indeed, page after page harps on these points over and over.  All this preaching really gets in the way of the story that’s being told.  The author frequently steps from behind her wall and speaks directly to the reader, telling us how she feels about the story, how the girls should behave, and so on.

Beyond that, the story has a few issues of its own.  Alcott spends a great deal of time setting up Jo’s relationship with Laurie so that the reader expects it work out and it is quite a letdown when it doesn’t.  They seem perfect for each other.  Then, Jo’s relationship with Professor Bhaer seems really forced.  He reveals himself to be a very shallow, narrow-minded man.  When his actions result in Jo giving up writing, I really lost respect for her.  That is a serious issue in a book where she is the protagonist.  I believe the issue is compounded by her falling in love with him.

I don’t think that I’m the only one to see this.  The movies adapted from the book have all changed not just the character of Professor Bhaer to make him more likable, they’ve actually changed the plot so that Jo continues to write.  In the book, he is 40 years old and she is 19.  I personally have no objection to the age difference and the people of that time had no objection to it, but I think that today’s audience might have some qualms.  The movies almost all picture him as younger.

In spite of these various drawbacks, the scene where Jo rejects Laurie must be among the best ever written. It is heart-wrenching.  Likewise, the love and care of the four girls for each other is so endearing that it literally makes the book successful on its own.  Although Alcott seems self-deprecating about the poetry in book, I found it to be extremely well-written and a strong hit to the heart.  Although I admit that I am prone to my Irish sentimentality, I am also quick to reject overt sentimentality and I found myself tearing up many times during the reading.

So, problems and all, I have to admit this is an amazing and wonderful book that everyone who is interested in American literature must read.  If you are lucky, you will find that place in your heart that it is willing and waiting to touch.

Inherent Vice by Thomas Pynchon

inherent viceI am not a huge fan of Thomas Pynchon, but I have a friend who is quite devoted.  Prior to this book, I had only read Gravity’s Rainbow.  I enjoyed it quite a bit, but was not motivated to read other books by Pynchon.  However, earlier this year, my friend loaned me his copy of Inherent Vice, explaining that it was like Raymond Chandler on acid and I couldn’t resist giving it a try.  Later, reading the review from The New Yorker, which extensively quotes Raymond Chandler’s essay “The Simple Art of Murder”, I came to understand how much my friend’s explanation made sense.

Others may dwell on the plot, but I would prefer to allow readers walk into it a little blind, so that the book may be a treat. What impressed me the most was the style of writing.  This is a comedy–and for me it was a laugh-out-loud comedy.  In terms of style, I thought Inherent Vice more closely resembled what you would get if you attempted to take some Zap Comix and novelize them.  Yes, Doc Sportello is a private eye, but he is a gumshoe who is permanently stoned.  His adventures involve characters who appear to be permanently tripping.  The “serious” characters are actually full-blown cartoons.  When a house full of surfer band hangers-on turn into zombies and chase Doc and his friends in the Woody from Hell, you can’t tell if it is really happening or if Doc is just tripping, but it is a hilarious sequence.

The book captures the Southern California of the early 1970’s very accurately, populating it with a hilarious beach crowd, throwing in bimbos, policemen on steroids, surfers, lawyers, real estate developers and gonzo bums.  The book could have very easily been a collaboration with R. Crumb.

If you read this book and understand it as a comedy and I think that you will completely enjoy it.