Catching Fire

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Catching Fire, the second installment of The Hunger Games trilogy, is an excellent sequel. Like the first film, it’s based on the novel by Suzanne Collins. Although Ms. Collins co-wrote the screenplay for The Hunger Games, she settles here for the role of Executive Producer. While that might have been a problem, I think that was really for the best.

For one thing, the novel Catching Fire has a few issues. Many times I felt kind of lost while reading it, mostly due to description. I couldn’t really see some of the action, especially in the Games arena. It felt rushed, as if the action was streaming by me, rather than keeping me actively engaged. The final problem in the novel is that the ending left me up in the air. I didn’t think it resolved–it seemed rather clear that it was only the first half of a book. The movie resolves all of these problems beautifully. Either that, or I was simply reconciled to the ending. It’s hard to tell.

At two hours and fifteen minutes from the opening to the final credits, there is plenty of time to see the action unfold. And while I generally don’t care for movies that long, some films are some noteworthy exceptions–where the action, story, and character all combine to keep me totally engaged for the entire length. Catching Fire meets all of those requirements.

A good example of how the movie took a generalization and graphically made it beautiful is in the look of the costumes. In fact, all of the visual flair of the movie makes the story come alive. The dress that Katniss wears to the President’s welcome party is stunning, interweaving the colored feathers of the mockingjay on her shoulders. The wedding dress that she wears for her interview with Caesar is beautiful. When she twirls and the fire engulfs the dress and turns it into a mockingjay, complete with wings, the effect is nothing less than astounding.

Jennifer Lawrence carries the film, as she did with The Hunger Games. There is something really special in the way she carries herself, the use of her voice and her eyes, that makes her one of those rare acting personalities that seem to reach inside you. Some actors have “it” and she has “it” in spades. Her body of work is already very impressive, considering her youth. Her acting in Winter’s Bone is amazing, as is her Academy Award winning performance in Silver Linings Playbook and I’m hoping that she chooses her scripts well and has one of those careers that is meteoric.

All of the supporting actors that were great in the first movie reprise their roles in this sequel–Donald Sutherland as President Snow, Stanley Tucci as Caesar, Elizabeth Banks as Effie, and Woody Harrelson as Haymitch are all perfect. The best performance of this group is given by Elizabeth Banks, who portrays a moving character arc as Effie, bringing her full turn from giddy capital gadfly to broken realist. In addition, there are a couple of new characters here that really make the story go. First of all, Phillip Seymour Hoffman plays Plutarch Evansby, the new Head Gamemaker, and secondly, Jena Malone is cast as Joanna, the misfit victor who joins the revolution along with Plutarch.. Both of them are really great.

All of the scenes inside the new Hunger Games arena are extremely well-done. They have visualized the arena from the book very precisely and it makes a terrific battleground. The clock dangers, especially the poisonous fog and the attack of the apes, are heart-pounding sequences and memorable filmmaking.

The final reason that the film is better than the novel is that the ending brought a feeling of resolution. I can’t stress enough how difficult this is, given that the ending is really (just like in the novel) a cliffhanger. I walked away from the movie looking forward to the final installment, but not feeling as if I had been left hanging. The final shot of Jennifer Lawrence’s face is way plenty to keep me going until Mockingjay finishes filming and is released. I loved the final graphic of the mockingjay’s twisting around from a silhouette posture and turning into something resembling a phoenix surrounded by flames in the circle. Beautiful.

If you loved The Hunger Games, I can almost guarantee that you’ll find Catching Fire to be a marvelous film and well worth the investment of time. Highly recommend.

 

 

Capote

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Bennett Miller’s film Capote is a well-crafted, thoughtful look at the process by which Truman Capote sculpted his novel In Cold Blood. The restrained control of color, minimal sets and costumes, and stark cinematography make this film so good that it should be studied in film schools as a masterful use of time and funding.

At the heart of the film, though, is a great performance by Phillip Seymour Hoffman as the diminutive novelist who followed his instincts to a small Kansas town to investigate the murder of the Clutters, a family of four, execution style, in their own home. The way he insinuated himself into their landscape was nothing less than audacious, especially for a flamboyant New York homosexual. Hoffman won the Academy Award as Best Actor for this beautiful, studied performance. He portrays Truman Capote as the consummate artist searching for the heart of the story and finding it in the person of the primary killer, Perry Smith, portrayed with restrained power by Clifton Collins, Jr. The relationship that develops between this unlikely pair is pinned on the fact that both of them had difficult childhoods.

Capote lies repeatedly to Perry to get the answers he needs. The heart of In Cold Blood resides with Perry’s unpredictable rampage that turned a robbery gone wrong into a heartless mass killing. The novelist takes his time to slowly lead Perry to tell the story until time runs out and he must manipulate the killer into telling how everything went down that night at the farmhouse.

A number of subordinate performances are also of extremely high quality, including Catherine Keener as Capote’s research assistant and brilliant novelist in her own right Harper Lee (To Kill A Mockingbird) and Chris Cooper as the officer in charge of the investigation.

I urge anyone interested in either filmmaking or the art of the novel to see this movie. It is truly brilliant.

 

 

20 Feet From Stardom

20 Feet From Stardom is a documentary about all of the really great backup singers from the ’50’s, ’60’s and ’70’s, the people, especially black women, who broke the mold and changed the sound of pop music.

Darlene Love

The movie focusses in especially on Darlene Love, who sang lead on the recordings, “He’s A Rebel,” “Da Doo Ron Ron”, and “Uptown,” Merry Clayton, who has backed up everyone and is known primarily for her kick-ass solo on the Rolling Stones’ Gimme Shelter, and Lisa Fischer, a remarkable singer who has now been with the Rolling Stones since 1980 singing a variety of stuff. She’s won a Grammy for her solo work and she has an amazing Jazz voice.

This movie also explores some of the more talented young singers working today, including Judith Hill, who started out with Michael Jackson. A wonderful film full of lots of really great music and interviews with Mick Jagger, Bette Midler, Sting, and a whole bunch of others. This is a must see for anybody even remotely involved in music!

                                                                                                    
Lisa Fischer 


Merry Clayton

Juno

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I was really bowled away by Juno. What a great film!  The story of a teenage girl named Juno MacGuff (Ellen Page) who gets pregnant and decides to carry the baby and give it up for adoption to a needy couple, this movie really delivers great comedy and great drama.  Page is so natural and relaxed in her performance that she is completely believable and she literally carries the movie. The Academy Award-winning script by Diablo Cody is a wonder.  The dialogue is quick, witty, full of pithy phrases that separate Juno and her friends from the run-of-the-mill teenagers at her high school (“Desperately seeking spawn” LOL).  Directed by Jason Reitman, it hits every note spot-on and leaves you with just an amazingly good feeling.

It’s full of wonderful supporting performances, including: Michael Cera as Paulie Bleeker, Juno’s dorky boyfriend and father of the child, J. K. Simmons (the wonderful pitchman at Farmer’s Insurance University) as her dad, Allison Janney as her step-mother, Jason Bateman and Jennifer Garner as the anticipated foster parents. They all work together brilliantly in an ensemble cast all clustered around the wonderful performance by Ellen Page at the center and heart of the movie.

So GOOD! I highly recommend this film to literally EVERYBODY!

Austenland

Austenland PictureAustenland is a movie whose premise holds great promise, but is ultimately disappointing.

Released in 2013, this movie is based on a novel of the same name by Shannon Hale. The film was written by Hale and director by Jerusha Hess. Sadly, both of these creators made some very serious errors in planning this movie.

I haven’t read the book, so it is impossible for me to gauge whether they screwed it up or if it is faithful and the novel simply failed on its own.

The heroine of the movie, Jane Hayes (Keri Russell) is a disheartened Jane Austen fan. Obsessed with the writer, she looks at her own life and sees failed relationships, a dead-end job and no future, so she decides to spend her life savings on a trip to England to resort called Austenland where fans can dress like their favorite characters and act out with British actors hired to emulate such heroes as Mr. Darcy from Pride and Prejudice. Even her life savings however does not qualify her for anything more than the “copper package” that gives her a tiny room and a disfavored status among the other tourists.

On the way there, she meets a rich and rather stupid American woman who introduces herself as Elizabeth Charming (Jennifer Coolidge) and they travel together. The resort is run by a lady named Mrs. Wattlesbrook (Jane Seymour) who has a great disdain for those who bought the cheap plan, the only one of which on this trip is Jane.

Making friends with the groundskeeper/chauffer Martin (Bret McKenzie), she find it tough sledding with the men who play the aristocrats, notably Mr. Heny Nobly (JJ Field) and Colonel Andrews (James Callis). One can guess what happens.  Most of the men fall for Jane while she is making out with Martin.  There are all sorts of hijinks that are supposed to be funny and in the end, she discovers that Martin himself was only an actor, paid to have a romance with her.  Both Martin and Mr. Nobly meet her at the airport on her way home and she rejects them both.

Any serious Jane Austen fan will find that this movie missed the mark in many, many ways.  I really like Keri Russell and I’ve got to say she was more or less wasted in this effort. The script needed to be much more heavy on Jane Austen and less concentrated on trying to be funny.  It could have incorporated a great deal from each of the books and been really funny and witty, but instead, it concentrates on the people playing the parts and one opportunity after another is passed by.  I detest movies that beg for laughs and fits that category.

 If you have an hour and a half to fill, this will keep you entertained, but it falls far short of its potential.