Allegiant by Veronica Roth

Allegiant by Veronica RothThis third and final installment of the Divergent Trilogy takes the bizarre, complicated plot even further and it relies even more on people making stupid decisions, rending it by far the worst of the three books that make up this ill-advised trilogy.

This review reveals the conclusion of the series, but it is for the benefit of the reader as you may not wish to read the whole thing knowing how it ends.

The battle between the factionless, led by Four’s mother, Evelyn, and the former factions, led by Four’s father, Marcus, heats up considerably, so Tris and Four leave Chicago and find the people who are really running this bizarre mess of a society, the Bureau of Genetic Welfare, and its leader David.  It turns out that these people have really screwed things up by trying to create better humans, so the Divergent are actually normal people and those belonging to factions are genetically damaged.  When Four discovers that he is genetically damaged, he stupidly joins in a plot against the Bureau, which, it turns out, wasn’t such a bad idea because they are in fact the big bad villains.  David decides that since their experiment was a failure, they need to release a chemical throughout the city that will wipe the minds of everyone, then they can start out all over again and do it right.

Reacting against this bizarre notion, Tris throws her life away trying to stop him.

It was established in the other novels that Tris has a death wish, but quite frankly, I never took it seriously, because in all other respects, she seemed (in spite of a steady spate of tears) to be a strong, fairly intelligent person.  She is, after all, the heroine.  Readers need to be aware that this trilogy is a *tragedy* in the true sense of the word.  We’re all so used to having happy endings, especially in Young Adult literature, that reading a dystopian YA tragedy is a pretty shocking affair.

Roth has tried to make her death seem organic, by repeatedly bringing up her death wish, but I really thought that it was perhaps the final thing she had to overcome in order to become a complete person.  No, it turns out that she really hasn’t grown that much at all.  She simply throws herself away.

Although the plot, and especially the ending, are serious problems in the novel, maybe the biggest problem is the “voice.”

In the first two novels, Roth established a wonderful voice for Tris and since both of the books are written in the First Person Present tense, it works very well.  The third novel, however, introduces the voice of Four as she alternates perspective in different chapters.  It is a bit of a shock, after having a consistent viewpoint in each of the first two novels, to have someone else speaking, but real problem is that Roth has not bothered to create a unique voice for Four.  He sounds so much like Tris that many times I had to flip back to the beginning of a chapter to find out who was speaking.  In terms of creating unique characters, this is a very serious problem.  Once I understood that Tris would die, the reasoning became apparent: she had to have someone continue speaking after Tris was dead.  In the end, I don’t think that matters at all.  As soon as Tris died, I closed the book and put it away because the voice I had listened to for several hundred thousands words was silenced and I didn’t care what happened afterwards.

Allegiant has the feeling, like Insurgent before it of being a rushed effort.  I don’t think that Roth truly took the time to think through her story before writing it, because there are so many things that don’t make sense, that don’t seem believable, that it seems unnatural, rather than an organically sound plotting.

My final advice to readers would be to enjoy the first book in the series, Divergent, and be happy with that, because it is the only complete, beautifully written, cogent novel in the trilogy.  It is pretty well designed, with strong characters, a terrific plot, and it is written in a style that makes for satisfying reading.

Of all the Young Adult dystopian trilogies in the market, the Divergent Trilogy starts out among the best and ends up among the worst.

Dead Like Me

Dead Like MeThe Afterlife for a Grim Reaper is a pretty bizarre place in this terrific little Showtime television series that lasted two seasons.  Laced with dry, dark humor and peppered with expletives, Dead Like Me is full of fascinating, sometimes hilarious characters going about the process of reaping souls.  Sometimes, along the way, there are serious moments and a few solid observations about life and death.

Georgia “George” Lass (Ellen Muth) is an 18 year old girl who has just dropped out of college.  She is bored with life and avoids unhappy situations by affecting an attitude of not caring what happens.  She is living at home with her mother, Joy (Cynthia Stevenson),  who is frustrated by her daughter’s apparent lack of love, father Clancy (Greg Kean), a professor at the University of Washington who is having an affair with a student and simply going through the motions at home, and her little sister Reggie (Britt McKillip), who worships her and is upset that George has cut her out of her life.

Upset with George’s lassitude, Joy sends her out to the Happy Time employment agency to get a job so she can get an apartment and move out.  At the Happy Time agency, she is a little freaked out by the receptionist, Crystal (Crystal Dahl) and the almost overbearingly happy Delores Herbig (Christine Willes), but she takes a part time job there and begins work as a file as a file clerk.  On her very first lunch break, unaware that the Mir Space Station’s deteriorating orbit is breaking it into pieces, she relaxes in a plaza when the Space Station’s toilet seat comes hurtling through the atmosphere and blows her into a hundred little pieces.  Although she wasn’t aware of it, a Grim Reaper (they look like normal people) shucks her soul from her body with a simple touch.  Standing around watching the fallout from her death, George is approached by Rube (Mandy Patinkin) who tells her that the man who just reaped her soul has filled his quota and she must take his place as a Grim Reaper.  She will also have a quota of souls to reap before she will be able to move on, but she won’t know what that quota is until she reaches the magic number.  Rube heads up a small group who work the External Influence Division, assigned to reap the souls of violent deaths, suicides, murders and so on.  She has a new body now that doesn’t look like her old one and, unfortunately, she must get a job and a place to live because there is no paycheck for reaping.

An English reaper, Mason (Callum Blue) takes her to a penthouse where an execution-style multiple murder has taken place and he tells her she can live there temporarily as he goes through pants pockets removing money.  The other reapers in her little band include Betty (Rebecca Gayheart), a carefree soul who takes pictures of the people whose soul she’s about to reap, and Roxy (Jasmine Guy), who works as a meter maid and has a no-nonsense approach to reaping souls.  There are also little creatures called Gravelings that scurry around arranging the accidents or situations that actually kill people.  In general, the reapers try to avoid these ugly little creatures as they cause a great deal of mayhem when their patience is tested.  This little group meets at various times at Der Waffle Haus restaurant, where Rube hands out their assignments on yellow Post-It notes, giving only initials, last name, place and ETD (Estimated Time of Death).  The waitress, Kiffany (Patricia Idlette), the cooks, the patrons, and even the food play a major role in the comedy.

George rebels against her new state of being at first, testing Rube’s patience as she tries to save a little girl who is about to die in a train crash.  However, Rube tells her that if the soul is not reaped, it will wither and die, leaving a hollow, unhappy person.  If the person does die without their soul being reaped, it continues to live on inside the dead body, which is a terrible thing to do to anyone.  Gradually, George begins to accept her state of being, but she can’t seem to let go of her family, repeatedly visiting them and watching as Joy grieves and Reggie acts out her sorrow by stealing toilet seats all over town.

The creator of the series, Bryan Fuller, brought a wicked sense of humor to the show and if you don’t like dark humor or if you take death too seriously, this is probably not the show for you.  I thought it was awfully funny and developed a serious addiction right from the beginning.

Ellen Muth Mandy PatinkinThe casting is excellent, beginning with Ellen Muth who was born to utter droll, witty, ironic comments, yet has the vulnerability to pull off the more serious moments, too.  Her character drives all of the action and she handles it deftly, leading us through the entire series.  George’s foil is Rube, played brilliantly by the multi-talented Mandy Pitinkin, making his character into a father figure for all of the reapers, a man who is much deeper than his surface appearance.  Blue, Gayheart, and Guy all offer sharp, well-rounded characters, although after the fifth episode, Gayheart’s character is replaced by Daisy Adair (Laura Harris), a former actress with a seriously sexy history, but who brings a deeper level of vulnerability than one might expect.

Cynthia Stevenson, who is always terrific, comes through again with a deep, well-layered performance as Joy and Brett McKillip is endearing as the angst-ridden Reggie.  Christine Willes is hilarious as Delores Herbig “as in, her big brown eyes” and so is Crystal Dahl as the spooky receptionist.

Clever, creative scripts keep the story moving along and even though each episode could be taken as a stand-alone episode, the story, especially during the first season does move forward from one episode to another.

Quirky, extremely funny, and very well written and directed, Dead Like Me is a terrific series full of dry, dark humor.  I highly recommend it for mature viewers.