The First Time

First TimeThe very sweet teen romance written and directed by Jon Kasdan (son of filmmaker Lawrence Kasdan) is disarmingly honest, with characters that feel so real there isn’t the hint of artifice.  Centered around two teens who meet by accident, become friends, and each decide to give up their virginity to the other, this film will leave you with a warm, gooey feeling that makes it a worthwhile viewing experience.

Aubrey Miller (Britt Robertson) is a junior in high school.  Leaving a party, she sees Dave Hodgman (Dylan O’Brien), a senior at a different high school, rehearsing a declaration of love for his longtime friend, Jane (Victoria Justice).  In spite of herself, she coaches him on how to do it right, explaining several times that she has a boyfriend and that she hates public displays of affection.  When the party gets busted, he walks Aubrey home and they talk about themselves and what they want to do with their lives.  At the door, she invites him inside and he is blown away by the collages that fill her bedroom.  They have some wine and end up falling alseep on the floor curled up together.

The next morning, they are awakened by a knock on her door.  Panicked, Dave spills a wine glass on his way out the window.  Her parents (Joshua Malina and Christine Taylor) lecture her about drinking, but Aubrey convinces them that its better for her to be drinking at home than at a party or driving.  Through friends, Dave is able to get her home phone number and calls her up, wanting to see her again.  She tells him that she’s going to see a movie with her boyfriend, Ronny (James Frecheville), an older guy who is rather obnoxious.  After the movie, one of their friends invites them to a party at her parents’ house and they all go.

During the party, Ronny tells Dave that he is going to have sex with Aubrey later that night and Dave is depressed that her first time should be with such a putz.  He gets some time alone with Jane, but finds that he is no longer interested in her.  Driving around on his own, he gets a call from Aubrey, who has broken up with Ronnie.  He picks her up and they each reveal that they have feelings for the other.  At her door, they kiss passionately.  The next morning, they go out with his little sister, Stella (Maggie Elizabeth Jones), who approves of their relationship.

Aubrey finds out that her parents will be out for the evening, so she invites Dave over.  Although they are passionate at first, when Aubrey gets a condom for him, everything slows down and they both become extremely nervous about having sex for the first time, which leads to an unfortunate experience.  Afterwards, they are both depressed and when he leaves, she tells him that she will call, but they both have the feeling that it is over.  Each waiting for the other call, they obsess about their feelings for each other.

Eventually, as she prepares to leave for school, Dave shows up.  Once again, he’s been rehearsing what he wants to say to her, but it comes out simply: he likes talking to her and he wants to keep talking to her and maybe they can figure out what happens next along the way.  She asks him for a ride to school and they talk about maybe doing everything better in the future.  In spite of her hatred of public displays of emotion, she says to hell with it and kisses him passionately outside her school.

There are several reasons why the movie is successful.

One of them is Kasdan’s script, which is so incredibly simple that it really tugs at the viewer’s heart.  Many script writers of teen romances try to complicate the story by throwing in all kinds of unnecessary complications, but Kasdan relies on being a teenager as all the complication required and it works amazingly well.  His direction is also simple, very clean, with lots of long two-shots where the actors are allowed to carry the story without any gimmicks.

The other reason for the movie’s success is the performance of its two leads.  Dylan O’Brien gives us a character who is incredibly innocent, who wants so much to be in love that he targets his best friend, without realizing how different they are.  Britt Robertson creates a character in Aubrey who sees the world through cynical eyes, but ultimately wants nothing more than to be with someone who cares about her.  They are both rock-solid performances, completely believable, and ultimately very likeable, creating terrific chemistry together.

This film is short, simple, very well-made, and very heartfelt, with just enough comedy to offset the deeper emotions that it evokes.

Advertisements

F

Fargo Frances McDormandFargo

Alfred Hitchcock would have liked this 1996 Joel Coen and Ethan Coen quirky thriller that contains so much comedy it transcends genres.  It borrows a number of techniques from the master of thriller movies, including a clever McGuffin, a villain with empathy, horrific incidents that are hilarious, and a tremendous environmental atmosphere.


THE FIGHTERThe Fighter

There are just a handful of good boxing movies, but The Fighter must be ranked among them.  This 2010 film written by Scott Silver, Paul Tamasy, and Eric Johnson is based on the true story of two brothers who each attained some degree of success in the world of boxing.  There is some stretching of the truth in order to make a good movie—and that is just what director David O. Russell gives us.


First TimeThe First Time

The very sweet teen romance written and directed by Jon Kasdan is disarmingly honest, with characters that feel so real there isn’t the hint of artifice.  Centered around two teens who meet by accident, become friends, and each decide to give up their virginity to the other, this film will leave you with a warm, gooey feeling that makes it a worthwhile viewing experience.


Fly Away PictureFly Away

Written and directed by Emmy Award winner Janet Grillo, this 2011 low-budget independent film, shot in a mere 14 days is full of emotional punch and great characters brought to life by a bright and talented cast.


French ConnectionThe French Connection

If you are looking for the meaning of life, this movie is not for you.  Indeed, if you are looking for any meaning at all, this is not your movie.  Rather, it is a completely kinetic film.  Directed by William Friedkin, it echoes the French cinema of the 1950’s, which itself echoes the American gangster films of the 1930’s.  It is all movement and action, with practically no dialogue, moving in a steady arc of energy toward a violent ending.


french kissFrench Kiss

Sometimes the charm of two charismatic actors with great chemistry, combined with a smart, talented director, can make even the most banal of screenplays work to perfection.  Such is the case with Lawrence Kasdan’s 1995 romantic comedy, French Kiss.


Friends with KidsFriends with Kids

This 2011 movie, written, produced and directed by Jennifer Westfeldt, is about a group of shallow, sex-obsessed Manhattan Yuppies who start having children. It stars Adam Scott, Westfeldt, Chris O’Dowd, Kristen Wiig, Jon Hamm and Maya Rudolph.


frozen-river-pic-melissa-leoFrozen River

There are a lot of great movies that somehow never make it into the public eye and Frozen River is one of those films.  It deserves to be seen–and probably deserved a lot more national attention than what it actually got.

French Kiss

 

Sometimes the charm of two charismatic actors with great chemistry, combined with a smart, talented director, can make even the most banal of screenplays work to perfection. Such is the case with Lawrence Kasdan’s 1995 romantic comedy, French Kiss.

Kate (Meg Ryan) is a history teacher whose fear of flying goes far beyond what most of us would think of as terror, but she has a serious problem that involves flight. An American history teacher, she is engaged to Canadian Charlie (Timothy Hutton), residing in Toronto on a Resident Visa and waiting until her Canadian citizenship comes through before they get married.  Charlie is a doctor who is about to fly to Paris for a medical convention and he begs her to come with him, even though she isn’t supposed to leave the country because of citizenship issues, but the point is moot because Kate just can’t board a plane.  When a great house becomes available, they go to look at it.  Charlie fears it will be too expensive for them, but Kate reveals that she has a considerable savings that she hadn’t told him about yet.

A few days later, Charlie calls her in a drunken stupor and reveals that he has fallen in love with a French girl, Juliette (Susan Anbeh) and won’t be coming home. In spite of her fears, Kate decides to board an Air Canada flight and go to Paris to get him back.  The guy sitting next to her, Luc Teyssier (Kevin Kline) is a French thief who is illegally smuggling a small American grape vine back into France in order to create a new hybrid wine.  However, tucked into the cheesecloth padding the root ball is a stolen diamond necklace.  Luc begins an argument with Kate to distract her from her fear of flying, plying her with little bottles of liquor he has stolen from the flight attendants’ cart.  He hides his vine in her travel bag so he can successfully smuggle it back into France.  At customs, he meets his old friend Inspector Jean-Paul Cardon (Jean Reno), whose life he once saved.  Returning from a vacation, Jean-Paul gives him a ride with his family so he can inspect Luc’s bags to make sure he isn’t smuggling anything.

Kate goes to Charlie’s hotel to find him, but a smarmy desk clerk won’t reveal his room number to her. Another petty thief, Bob (François Cluzet), tries to hustle her as she sits on a sofa in the lobby waiting for Charlie to come down.  When she sees him kissing Juliette, she passes out and Bob steals her bag.  Luc arrives, passing Bob at the door, to discover Kate passed out on the floor.  He revives her and when he realizes that Bob has her bag, he takes her, steals a car, and drives to Bob’s apartment where they find he has already disposed of everything but her bag and the vine.  Thinking he has now recovered the necklace, they leave, but have an argument on the street and separate.  Kate goes to the American Embassy to get a duplicate passport, but they stonewall her because she is a permanent Canadian resident.  At the Canadian Embassy, they won’t give her a duplicate Resident Visa because she was once arrested for possession of pot.  Alone, penniless on the street, she reluctantly returns to Charlie’s hotel.  In the interim, Luc has searched the root ball of his vine and finds the necklace is gone, so he goes back to Bob who proclaims that he didn’t take the necklace, that it must still be in Kate’s bag.

When Kate makes a scene at the hotel, the desk clerk tells her that Charlie and Juliette have gone to the south of France where they intend to get married, so she sets off for the train station. Bob arrives at the hotel to fleece more guests, but is arrested by Jean-Paul who is interrogating him trying to find a “big fish,” a more important criminal.  At that moment, Luc arrives and forces the clerk to tell him where Kate has gone.  Bob points out Luc to Jean-Paul and tells him that Luc has stolen a diamond necklace.  Jean-Paul now chases Luc to the train station where they lose him.

Aboard the train, Luc finds Kate and volunteers to help her get Charlie back, so he can buy time to inspect her bag. Over the next few days, both of their affections begin to turn toward each other as Luc tries to help her reunite with Charlie, even though he now loves her himself.  She reveals that she actually has the necklace and slowly gives in to her feelings for Luc.

Although the screenplay by Adam Brooks is certainly not a ground-breaking story, Kasdan does a marvelous job of telling it. The cinematography and editing are both terrific and they aid determined performances by Kevin Kline, who is almost always brilliant, and Meg Ryan, who, despite a few hammy scenes, is her usual charming self.  The two of them bring a lot of chemistry to the romance, which is essential in a romantic comedy and their performances take a simple story and make it memorable.  France has never looked so good on film, not just Paris, with both gaudiness and grit, but the countryside and vineyards of Luc’s birth really shine, not to mention the French Riviera.

It is a tight, fast moving film that engages the viewer constantly during the one hour and 51 minutes of length. Colorful, skillfully directed, with wonderful, engaging cast, this is one romantic comedy that should be on your shelf.  I highly recommend it!