Penelope

ricci_penelopePenelope is a fun and well-made modern fairy tale.

The wealthy Wilhern family has a curse on it. Generations ago, a Wilhern son fell in love with a servant girl and wanted to marry her, but when the family found out, the engagement was broken.  The poor girl then killed herself, but her mother, a witch created a spell so that the next Wilhern daughter would be born with the face of a pig.  The only way to break the spell would be for her to marry “one of her own,” that is a man from a wealthy family with long bloodlines. 

For generations, the family only had boys, but finally, poor Penelope (Christina Ricci) was born and there was the snout, right where her nose should have been. Her parents (Catherine O’Hara and Richard E. Grant) seek the advice of a plastic surgeon, who informs them that–amazingly–the girl’s carotid artery runs through the nose, making a fix impossible.  In an attempt to hide her from the world, they fake her death and Penelope grows up living in her luxurious room reading, studying, and entertaining herself with plants and animals, with virtually no contact with the world outside.  Indeed, she becomes a fascinating and charming young woman, quite beautiful… except for her nose, that is.

When Penelope becomes a young woman, her parents hire a “matchmaker to the rich and famous” to try to find someone to marry her, but alas, she always insists on showing herself to the prospective mate and they always run away. The latest in this line is Edward Humphrey Vanderman III (Simon Woods), a spoiled idiot of a man, who runs away screaming, claiming that Penelope has vicious fangs and is horrible looking, which is simply not true.  He hooks up with Lemon (Peter Dinklage), a reporter who lost an eye to Mrs. Wilhern when he tried to get a picture of baby Penelope years ago.  He is determined to get a picture of grown up Penelope and gets Vanderman to help him.  What they need is some blueblood down on his luck that they can bribe to be a prospective husband who can surreptitiously take photos of her.

They find a man that they believe to be Max Campion (James McAvoy), a rich, handsome young man with a severe gambling problem and they hire him to join the list of prospective suitors. Penelope watches him behind a one-way mirror and as they talk, they begin to like each other.  She decides not to show herself to him, but asks him to come back the next day.  She sees him trying to steal one of their rare books and it piques her interest further.

Of course, they’re going to fall in love, but there is a reason he can’t marry her and break the curse and there are a great deal of hijinks between this circus of characters, especially when Penelope decides to run away from home, hiding her snout with a scarf. She makes friends with a bike messenger, Annie (Reese Witherspoon), who becomes her first real friend.  Witherspoon also produced the movie!

The movie is great fun. Ricci is fantastic as Penelope, bringing just the right amount of wistfulness, charm, and intelligence to the role.  O’Hara and Dinklage are always funny, McAvoy is very engaging as the love interest.

The make-up for the pig’s nose is really amazing, but it caused a problem for me, too. It really doesn’t make Ricci look ugly.  Even with the pig nose, her own beauty shines through.  I thought that was a good thing, but it didn’t make sense that all the suitors run away when she really didn’t look that bad.  It’s a dilemma.  I can understand why director Mark Palansky made the decision, but it does detract from an otherwise charming film.

The movie isn’t overly long and is truly entertaining. A fun evening!

Young Victoria

theyoungvictoria-2This review contains spoilers (as if history didn’t contain enough).

In 1836, when Princess Victoria of Kent (Emily Blunt), the heir apparent to the throne of England, first meets Prince Albert of Saxe-Coburg-Gotha (Rupert Friend), she is in a very delicate situation, both politically and personally.

Her mother, the Duchess of Kent (Miranda Richardson) is heavily under the influence of her brother, King Leopold I of Belgium (Thomas Kretschmann), who devoutly wishes an alliance with Britain to keep Belgium safe from France, and Sir John Conroy (Mark Strong), the comptroller of her household, who wants King William IV (Jim Broadbent) to die while Victoria is still a minor so that the Duchess will be appointed Regent and he can rule England from behind the scenes.

Victoria herself is in rebellion against both of these constraints, siding instead with King William. She resents the control that Conroy exerts over her mother and she resents the domestic restraints that they both hold on her.  While she is ill, Conroy even attempts to force her to sign an agreement for a Regency, but she bats the document away.  Conroy treats her quite brutally, once grabbing her physically and throwing her on a sofa.  When her mother stands by and allows this to happen, she warns her mother that she will never forget it.

King Leopold decides that the best way to keep England friendly is to have his nephew, Prince Albert, become very friendly with Victoria, perhaps even marry her, so he sends Albert to England for a visit. Trained to know all of her favorite music, reading, and opera, Albert tries to forge a friendship, but Victoria sees right away what he’s up to.  Changing tacks, he decides to be honest and disagree with her when their opinions differ.  Immediately, Victoria notices and decides to give him a little slack.  The more they talk, the fonder they grow, gradually falling in love, until, at last, Albert must return to Germany.

When King William dies, Victoria has come of age and she makes a few quick decisions. Although she allows her mother separate apartments at Buckingham Palace (built by William, Victoria was the first regal tenant), but she banishes Conroy.  Making friends with Lord Melbourne, she takes him as an advisor.  Although she desires to improve the living conditions of the poor, Melbourne steers her away from that and arranges her household as he wants it.  When Melbourne falls from power, Queen Victoria refuses to change her appointments to suit the new Prime Minister and the government falls.  There is a huge reaction in the public against her, there are riots outside the palace, and in one instance, a window is broken by a flying object.

Confused and needing help from a friend, she calls on Prince Albert to come to her, not just as an advisor, but as a husband and they are finally able to consummate their simmering love. Just when things would appear to be quite well, Albert makes the mistake of making a decision without consulting her and Victoria reacts strongly, feeling that, like Conroy, he was attempting to rule England behind her back and they have a vicious quarrel.  At a public appearance, a gunman appears and tries to assassinate Victoria, but Albert takes the bullet for her, thus proving his real love.

The two then form a true partnership and rule England successfully for another 20 years when typhoid takes Albert. Alone, Queen Victoria then ruled England alone until she was over 80 years old, supervising England’s management (not always successfully) of the Industrial Revolution and leaving a false impression of extreme prudishness.

This film is beautifully made. The art direction, photography, costumes, locations, acting, directing, music, and photography are all first rate.  Much credit must be given to director Jean-Marc Vallée for imposing strict control over the length of the film and the editing.  Some period dramas like this run amok by running two or three hours in length, but the timing of this film feels just right.  The script by Julian Fellowes maintains as much historical accuracy as possible, while still bending reality to make it a pretty good movie.  It is focussed, as it should be, on the love story, but the love story is underpinned everywhere by the politics and Fellowes did a fantastic job of merging the two worlds.  Much credit should also go to Sandy Powell for her Academy Award winning costumes.

Emily Blunt is simply stunning as Victoria. She shows such a range of acting that I found myself completely won over within the first few minutes of the film.  Rupert Friend was a wonderful casting decision as Albert because he brings both restraint and passion to the performance.  The chemistry between these two is really terrific and one completely believes not just the love, but the political realities of both of them.

You don’t need a PhD in History to understand this moving love story that involves two kingdoms, ministers, lords and ladies. It is passionate, well-made, well-timed and beautiful to watch.  I highly recommend the movie!

The Adjustment Bureau

1-adjustment-bureau-copyThe Adjustment Bureau, based on a Phillip K. Dick story, is a bit far-fetched, but a very engaging film. David Norris (Matt Damon) is a Brooklyn politician who meets a fascinating woman, Elise Sellas (Emily Blunt) on the night that he has just lost the Senate election. When she quickly runs away, he is motivated to give a galvanizing concession speech that will reenergize his career.

A year later, the men of the Adjustment Bureau, an organization that adjusts humans to keep us following “the plan,” set up a situation where David’s day is supposed to be interrupted by one of their men Harry Mitchell (Anthony Mackie), who nods off and misses his assignment. When David sees Elise on the bus, the plan has gone awry.  Furthermore, he walks on in an adjustment of his boss, Charlie Traynor (Michael Kelly) and freaks out. Everyone is frozen while Richardson (John Slattery), the head of David’s team of Adjustment men, scans his brain.  They have to intervene with him and tell him what’s going on.  They burn Elise’s phone number and tell him he can’t have anything to do with her.  Well, David isn’t having any of this and he sets out to try to alter the plan so he can end of up the girl he loves. 

Matt Damon is excellent as David. Not only is he a believable politician, but his single-mindedness in trying to outwit the Bureau really makes the film move.  Emily Blunt is very engaging as Elise and Terrence Stamp is terrific as the man at the Bureau (“the Hammer”) they call in to make him give up his search

It’s a very fast-moving, enjoyable film with great music and it comes in at just over 90 minutes, so it’s the perfect length. It’s a really fun evening’s entertainment!

Lovelace

Amanda Seyfriend as Linda LovelaceThis film is a 2013 biographical picture about the life of Linda Boreman, beginning at the age of 20 and going through her marriage to Chuck Traynor and the release of her biography, . Under the trade name of Linda Lovelace, she starred in the 1972 pornographic breakthrough movie Deep Throat and that is her lone claim to fame aside from her biography, Ordeal.

When Linda (Amanda Seyfriend) and her friend Patsy (Juno Temple) dance at the bowling alley on a lark, they are spotted by Chuck Traynor (Peter Sarsgaard), a young man into drugs and pornography. Although he treats her like a gentleman at first, Linda is having serious trouble at home with her repressive parents John (Robert Patrick) and Dorothy (Sharon Stone). After an incident with her mother, Linda moves in with Chuck and eventually marries him.

Although the film doesn’t show us any kind of abuse throughout the beginning, later flashbacks show us that he raped her over and over and forced her into prostitution against her will, essentially using her sexuality as a way to make money. He takes it to the ultimate level when he forces her to appear in a porno movie, Deep Throat.

While Chuck intended to make a great deal of money from her, the scheme backfires in several ways. In the first place, she was only paid $1,250 for her performance, which made the movie somewhere in the neighborhood of $600 million dollars worldwide. The second problem created by the success of the movie was that Linda Lovelace became an overnight celebrity and it became more difficult to control her. But control her he did, forcing her to use her name on blow-up dolls, dildos, and other paraphernalia while holding out for a bigger film deal.

At one point in the movie, Linda tells Phil Donohue that she was only in the porn industry for 17 days, yet it was the one thing she was always remembered for.

Desperate for money, Traynor sells her to five men. He locks her in a motel room with them so they can beat and sodomize her for hours. At her wits end, she finally runs away and makes a new life for herself.

Directed by Rob Epstein and Jeffrey Friedman, the movie achieves a very high level of filmmaking and it is not hyperbole to say that is a very powerful movie. Amanda Seyfriend is truly outstanding as Linda Lovelace, bringing just the right level of belief in her husband to keep forgiving him until things got so far out of hand that she had to escape. Sharon Stone gives perhaps her best performance ever as her mother Dorothy. Sarsgaard is good as Traynor, but the role is pretty one-note so it’s difficult to give him much more credit.

If the movie suffers from any problem, it is in the way the story is laid out. I understand what the filmmakers were trying to do by showing the story in two different takes. In the first part, they were attempting to show us what people saw at the time—the history we know—then in the second part, they show us what really happened. While I understand the device, I’ve got to say that it wasn’t entirely successful. I think a straight, chronological story line might have worked better or even a retelling beginning with the book Ordeal showing what really happened. I just don’t know. These aesthetic questions are really splitting hairs, but even if you consider this a potential problem, it doesn’t take away any of the power of the movie at all.

 As one might suspect, this is an Adults Only film, for mature audiences, not only because of nudity and simulated sex, but because the subject of domestic rape and psychological control requires a certain amount of maturity to understand and deal with.

A very good film. I highly recommend it.

Adventureland

AdventurelandAdventureland is a funny and moving teen romance written and directed by Greg Mattola about a group of teens working at a summer carnival. The main character, James Brennan, is a student who has just graduated from a small college and is saving up his money to go to the Columbia School of Journalism so he can begin a career in travel writing. Played with both humor and angst by Jesse Eisenberg, James is trying to find romance, but his own geekiness stands in his way.

It doesn’t take long after meeting Em for him to start falling for her. Older and wiser, she is a student who lives and studies in New York (NYU) during the school year, but works as a carny in the summer. She’s also having an affair with Mike (Ryan Reynolds), a guitar player who also fills in there in the summer as a maintenance man. Married, his one claim to fame is that he is rumored to have jammed with Lou Reed, James’ hero.

The film is a period piece, set in the summer of 1987 and Mattola has gone to great lengths to make the film of its time. The park seems quite old by today’s standards and the costumes and hair styles all reflect the late 80’s very well. Although some of the humor is a bit juvenile, it generally works well. The supporting characters are sharply defined and quirky. Kristen Wiig as the park manager and Bill Hader as her husband and assistant are both quite funny and Martin Starr is quite good as James’ pal Joel.

Both Eisenberg and Stewart are very good and this is probably Stewart’s best performance. They are the only two characters in the movie who have serious scenes and they carry them off very well. It’s a fun movie and worth spending the time watching.

Capote

Philip-Seymour-Hoffman-Capote

Bennett Miller’s film Capote is a well-crafted, thoughtful look at the process by which Truman Capote sculpted his novel In Cold Blood. The restrained control of color, minimal sets and costumes, and stark cinematography make this film so good that it should be studied in film schools as a masterful use of time and funding.

At the heart of the film, though, is a great performance by Phillip Seymour Hoffman as the diminutive novelist who followed his instincts to a small Kansas town to investigate the murder of the Clutters, a family of four, execution style, in their own home. The way he insinuated himself into their landscape was nothing less than audacious, especially for a flamboyant New York homosexual. Hoffman won the Academy Award as Best Actor for this beautiful, studied performance. He portrays Truman Capote as the consummate artist searching for the heart of the story and finding it in the person of the primary killer, Perry Smith, portrayed with restrained power by Clifton Collins, Jr. The relationship that develops between this unlikely pair is pinned on the fact that both of them had difficult childhoods.

Capote lies repeatedly to Perry to get the answers he needs. The heart of In Cold Blood resides with Perry’s unpredictable rampage that turned a robbery gone wrong into a heartless mass killing. The novelist takes his time to slowly lead Perry to tell the story until time runs out and he must manipulate the killer into telling how everything went down that night at the farmhouse.

A number of subordinate performances are also of extremely high quality, including Catherine Keener as Capote’s research assistant and brilliant novelist in her own right Harper Lee (To Kill A Mockingbird) and Chris Cooper as the officer in charge of the investigation.

I urge anyone interested in either filmmaking or the art of the novel to see this movie. It is truly brilliant.

 

 

20 Feet From Stardom

20 Feet From Stardom is a documentary about all of the really great backup singers from the ’50’s, ’60’s and ’70’s, the people, especially black women, who broke the mold and changed the sound of pop music.

Darlene Love

The movie focusses in especially on Darlene Love, who sang lead on the recordings, “He’s A Rebel,” “Da Doo Ron Ron”, and “Uptown,” Merry Clayton, who has backed up everyone and is known primarily for her kick-ass solo on the Rolling Stones’ Gimme Shelter, and Lisa Fischer, a remarkable singer who has now been with the Rolling Stones since 1980 singing a variety of stuff. She’s won a Grammy for her solo work and she has an amazing Jazz voice.

This movie also explores some of the more talented young singers working today, including Judith Hill, who started out with Michael Jackson. A wonderful film full of lots of really great music and interviews with Mick Jagger, Bette Midler, Sting, and a whole bunch of others. This is a must see for anybody even remotely involved in music!

                                                                                                    
Lisa Fischer 


Merry Clayton

Juno

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I was really bowled away by Juno. What a great film!  The story of a teenage girl named Juno MacGuff (Ellen Page) who gets pregnant and decides to carry the baby and give it up for adoption to a needy couple, this movie really delivers great comedy and great drama.  Page is so natural and relaxed in her performance that she is completely believable and she literally carries the movie. The Academy Award-winning script by Diablo Cody is a wonder.  The dialogue is quick, witty, full of pithy phrases that separate Juno and her friends from the run-of-the-mill teenagers at her high school (“Desperately seeking spawn” LOL).  Directed by Jason Reitman, it hits every note spot-on and leaves you with just an amazingly good feeling.

It’s full of wonderful supporting performances, including: Michael Cera as Paulie Bleeker, Juno’s dorky boyfriend and father of the child, J. K. Simmons (the wonderful pitchman at Farmer’s Insurance University) as her dad, Allison Janney as her step-mother, Jason Bateman and Jennifer Garner as the anticipated foster parents. They all work together brilliantly in an ensemble cast all clustered around the wonderful performance by Ellen Page at the center and heart of the movie.

So GOOD! I highly recommend this film to literally EVERYBODY!