The First Time

First TimeThe very sweet teen romance written and directed by Jon Kasdan (son of filmmaker Lawrence Kasdan) is disarmingly honest, with characters that feel so real there isn’t the hint of artifice.  Centered around two teens who meet by accident, become friends, and each decide to give up their virginity to the other, this film will leave you with a warm, gooey feeling that makes it a worthwhile viewing experience.

Aubrey Miller (Britt Robertson) is a junior in high school.  Leaving a party, she sees Dave Hodgman (Dylan O’Brien), a senior at a different high school, rehearsing a declaration of love for his longtime friend, Jane (Victoria Justice).  In spite of herself, she coaches him on how to do it right, explaining several times that she has a boyfriend and that she hates public displays of affection.  When the party gets busted, he walks Aubrey home and they talk about themselves and what they want to do with their lives.  At the door, she invites him inside and he is blown away by the collages that fill her bedroom.  They have some wine and end up falling alseep on the floor curled up together.

The next morning, they are awakened by a knock on her door.  Panicked, Dave spills a wine glass on his way out the window.  Her parents (Joshua Malina and Christine Taylor) lecture her about drinking, but Aubrey convinces them that its better for her to be drinking at home than at a party or driving.  Through friends, Dave is able to get her home phone number and calls her up, wanting to see her again.  She tells him that she’s going to see a movie with her boyfriend, Ronny (James Frecheville), an older guy who is rather obnoxious.  After the movie, one of their friends invites them to a party at her parents’ house and they all go.

During the party, Ronny tells Dave that he is going to have sex with Aubrey later that night and Dave is depressed that her first time should be with such a putz.  He gets some time alone with Jane, but finds that he is no longer interested in her.  Driving around on his own, he gets a call from Aubrey, who has broken up with Ronnie.  He picks her up and they each reveal that they have feelings for the other.  At her door, they kiss passionately.  The next morning, they go out with his little sister, Stella (Maggie Elizabeth Jones), who approves of their relationship.

Aubrey finds out that her parents will be out for the evening, so she invites Dave over.  Although they are passionate at first, when Aubrey gets a condom for him, everything slows down and they both become extremely nervous about having sex for the first time, which leads to an unfortunate experience.  Afterwards, they are both depressed and when he leaves, she tells him that she will call, but they both have the feeling that it is over.  Each waiting for the other call, they obsess about their feelings for each other.

Eventually, as she prepares to leave for school, Dave shows up.  Once again, he’s been rehearsing what he wants to say to her, but it comes out simply: he likes talking to her and he wants to keep talking to her and maybe they can figure out what happens next along the way.  She asks him for a ride to school and they talk about maybe doing everything better in the future.  In spite of her hatred of public displays of emotion, she says to hell with it and kisses him passionately outside her school.

There are several reasons why the movie is successful.

One of them is Kasdan’s script, which is so incredibly simple that it really tugs at the viewer’s heart.  Many script writers of teen romances try to complicate the story by throwing in all kinds of unnecessary complications, but Kasdan relies on being a teenager as all the complication required and it works amazingly well.  His direction is also simple, very clean, with lots of long two-shots where the actors are allowed to carry the story without any gimmicks.

The other reason for the movie’s success is the performance of its two leads.  Dylan O’Brien gives us a character who is incredibly innocent, who wants so much to be in love that he targets his best friend, without realizing how different they are.  Britt Robertson creates a character in Aubrey who sees the world through cynical eyes, but ultimately wants nothing more than to be with someone who cares about her.  They are both rock-solid performances, completely believable, and ultimately very likeable, creating terrific chemistry together.

This film is short, simple, very well-made, and very heartfelt, with just enough comedy to offset the deeper emotions that it evokes.

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The Breakfast Club

Breakfast ClubYelling one minute, giggling the next, while cool music plays throughout.  Welcome to The Breakfast Club, John Hughes’ 1985 comedy-drama about five teenagers confined to a Saturday detention in the Shermer High School library in Shermer, Illinois, a suburb of Chicago.

Each one of the five kids represents a different kind of high school culture.  Although wrestler Andrew Clark (Emilio Estevez), teen beauty Claire Standish (Molly Ringwald), and brainy Brian Johnson (Anthony Michael Hall) come from wealthy families, they each represent a separate segment of high school society.  Likewise, rebellious John Bender (Judd Nelson) and spooky Allison Reynolds (Ally Sheedy) come from the wrong side of the tracks, but one is brash and outgoing while the other is quiet and shy.

The teacher who rides herd on the five of them is Richard “Dick” Vernon (Paul Gleason), an assistant principal who is rough and disillusioned with his profession.  The only other adult character of any consequence is the philosophical janitor, Carl Reed (John Kapelos) who enlightens both Dick and the kids.

John creates the drama as he pushes against the rich kids and makes fun of the dork, both strutting his anger at coming from a poor, ignorant family and concealing his own fear for his future.  He teases Claire about being a virgin, Andrew about being a dumb jock, and Brian about not fitting in.  As the day goes on, they gradually become friends, laughing, dancing, shouting, and opening up about their deepest truths and fears.

There isn’t much of a plot here, but that’s not important.  Most of the movie dedicates itself to the theme that in spite of outside differences, we’re all pretty much the same, a pretty good message in any time or place.  The generous ensemble script allows room for each character to bloom.

Most of the acting is excellent, although the emotional outbursts now seem a little over the top, as are the stock characters.  The movie is really excellent except when it tries to go deep.  Of the five teens, Ally Sheedy really stands out as the best and that is partly because her character doesn’t fit into a mold and partly because she infuses it with a great deal of originality.

The best part of the film is the comedy and when it’s good, it’s really laugh out loud good and it carries the movie beyond the simple teen angst that colors the drama.  A fun movie.  At an hour and a half, the timing is perfect and it is almost impossible to stop watching once you start, always a sign that a movie is doing its job.

F

Fargo Frances McDormandFargo

Alfred Hitchcock would have liked this 1996 Joel Coen and Ethan Coen quirky thriller that contains so much comedy it transcends genres.  It borrows a number of techniques from the master of thriller movies, including a clever McGuffin, a villain with empathy, horrific incidents that are hilarious, and a tremendous environmental atmosphere.


THE FIGHTERThe Fighter

There are just a handful of good boxing movies, but The Fighter must be ranked among them.  This 2010 film written by Scott Silver, Paul Tamasy, and Eric Johnson is based on the true story of two brothers who each attained some degree of success in the world of boxing.  There is some stretching of the truth in order to make a good movie—and that is just what director David O. Russell gives us.


First TimeThe First Time

The very sweet teen romance written and directed by Jon Kasdan is disarmingly honest, with characters that feel so real there isn’t the hint of artifice.  Centered around two teens who meet by accident, become friends, and each decide to give up their virginity to the other, this film will leave you with a warm, gooey feeling that makes it a worthwhile viewing experience.


Fly Away PictureFly Away

Written and directed by Emmy Award winner Janet Grillo, this 2011 low-budget independent film, shot in a mere 14 days is full of emotional punch and great characters brought to life by a bright and talented cast.


French ConnectionThe French Connection

If you are looking for the meaning of life, this movie is not for you.  Indeed, if you are looking for any meaning at all, this is not your movie.  Rather, it is a completely kinetic film.  Directed by William Friedkin, it echoes the French cinema of the 1950’s, which itself echoes the American gangster films of the 1930’s.  It is all movement and action, with practically no dialogue, moving in a steady arc of energy toward a violent ending.


french kissFrench Kiss

Sometimes the charm of two charismatic actors with great chemistry, combined with a smart, talented director, can make even the most banal of screenplays work to perfection.  Such is the case with Lawrence Kasdan’s 1995 romantic comedy, French Kiss.


Friends with KidsFriends with Kids

This 2011 movie, written, produced and directed by Jennifer Westfeldt, is about a group of shallow, sex-obsessed Manhattan Yuppies who start having children. It stars Adam Scott, Westfeldt, Chris O’Dowd, Kristen Wiig, Jon Hamm and Maya Rudolph.


frozen-river-pic-melissa-leoFrozen River

There are a lot of great movies that somehow never make it into the public eye and Frozen River is one of those films.  It deserves to be seen–and probably deserved a lot more national attention than what it actually got.

Juno

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I was really bowled away by Juno. What a great film!  The story of a teenage girl named Juno MacGuff (Ellen Page) who gets pregnant and decides to carry the baby and give it up for adoption to a needy couple, this movie really delivers great comedy and great drama.  Page is so natural and relaxed in her performance that she is completely believable and she literally carries the movie. The Academy Award-winning script by Diablo Cody is a wonder.  The dialogue is quick, witty, full of pithy phrases that separate Juno and her friends from the run-of-the-mill teenagers at her high school (“Desperately seeking spawn” LOL).  Directed by Jason Reitman, it hits every note spot-on and leaves you with just an amazingly good feeling.

It’s full of wonderful supporting performances, including: Michael Cera as Paulie Bleeker, Juno’s dorky boyfriend and father of the child, J. K. Simmons (the wonderful pitchman at Farmer’s Insurance University) as her dad, Allison Janney as her step-mother, Jason Bateman and Jennifer Garner as the anticipated foster parents. They all work together brilliantly in an ensemble cast all clustered around the wonderful performance by Ellen Page at the center and heart of the movie.

So GOOD! I highly recommend this film to literally EVERYBODY!